I'd still like to point out that The Walking dead TV Show has improved recently in great leaps as new writers(Scott M. Gimple as showrunner) have joined the project. AMC screwed over Frank Darabont, this is true, but the new writers have been fixing a lot of the problems of the first two Seasons(and some of the ones in Season 3), and recently, have been going even above the comics at times. Examples: Live Bait, Dead Weight, Too Far Gone, After, etc.
Those situations and characters were done much better in the Show then in the Comics. Rick and The governor are much better characters, Carl's "I'd be fine if you died" scene was much better(though the character still has a way to go), Michonne's backstory was presented in a much more artistic and interesting way, etc, etc.
The setting is also (primarily) used in a comic, to great success, in case you were unaware.
So yeah obviously I have to disagree with you … morethere, the themes and ideas of The Walking Dead can work well in a variety of media, not just video games.
At least when ass hats like AMC don't fuck it all up.
Also, making an animated series does not preclude them making a game at the same time, it's not like Telltale is shy about hiring new staff to generate multiple stories at once (EG TWAU).
I always assumed that something happened with the boat, and either he left them, or the others left him. I never thought that they meant he was dead.
But still, I'd like to see how he died if indeed that was the case.
Stories I'd like to see:
Anna Correa escaping from Crawford, trying to survive, and later on, keeping the baby alive.
Kenny and his fami… morely's journey through Atlanta.
How Vernon's and Roman's group joined up.
What happened to Vernon?
What happened to Roman's group?
Comic Governor had WAY less character development. He was basically a psychopath with no explanation for the things he did. He was not conflicted, there were no two sides to what he did. He was just flat out evil, and though he was interesting, I liked how by S4 in the TV Show, you may have even been rooting for him. Almost no one had any idea if he was going to... do what he did, or actually let bygones be bygones. Incredibly well acted/ written, and a very interesting villain, much more so than the Comic Governor. We share no common ground on that issue I'm sorry to say, I don't really believe that the Comic Governor is better than the TV Governor in anyway, other than he was more brutal. And even then, I think it was more interesting with the TV Governor that he was more subtle with his cruelty in S3, and outright fought his monstrous nature in S4.
Tv Rick vs. Comic Rick, yeah, they're very close. I personally think that TV Rick is marginally better because I think he's got some better dialogue, with the exception of the "We ARE the Walking Dead" Speech(Though, the "Too Far Gone" Speech was pretty close...), and also I think having such a great actor adds to it. I will agree that simply because we see more of Comic Rick so far, and can completely understand why a lot of people would say that he's better, but just taking the Comic rick from the Prison... I'm pretty split on the issue, but I think Andrew Lincoln's portrayal of Rick wins out in the end. With that however, it's totally done to my personal preference at that point.
Maybe. My guess is that someone got hurt and they figured "Waste not want not" or something...Or maybe that hurt individual gave them the idea him/herself... In the comics, Rick's group runs into cannibals so maybe it might not have been an intentional idea, but the person was fleeing from that type of situation.
I've got all but the last, and I'm not counting them. They are meant to fix the Governor's character, and they wouldn't need to exist if there weren't problems with his character in the first place.
I love the novels, they're fantastic, but still, we got good backstory with the Governor/Brian in the first... and then he became a totally unconflicted psychopath except for a few moments in the second book. The second and third books, are just once more to show the Governor's brutality, and it's incredibly easy to forget that Brian ever existed, unlike TV Governor, where you still see glimpses of Phillip throughout, not just one or two very far apart scenes in one story arc.
I understand that it brings them closer, but they really shouldn't be counted as most people won't go out of their way to read them, and so will only know the Comic Governor, and even if you do count them, David Morrisey's Governor is still better in my own opinion.
Good to know that someone else reads those and didn't just accuse Kirkman of being a sellout, as the majority of people seem to do.
Maybe. My guess is that someone got hurt and they figured "Waste not want not" or something...Or maybe that hurt individual gave them the idea… more him/herself... In the comics, Rick's group runs into cannibals so maybe it might not have been an intentional idea, but the person was fleeing from that type of situation.
If it couldn't be animated, this could be a motion comic. It reminds me of those Dead Space motion comics set just before the game. You even hear one or more of the audio logs by the comic main character Abe, in the game itself playing as Isaac. Fun things like this are good for games and Telltale could make this one of the best
Remember that they did survive being trapped inside the quarantine of Savannah for a few days.
Oh wow. What about this: Once per episode, D… moreiana makes one of the recordings that Lee hears in Episode 1.
The last episode frantically makes her final call to Clementine, just as walker Ed breaks the door down, the 'camera' cuts to Lee checking their voice mail in the animated series style, then Clem contacts Lee, tells him her name, and then the screen goes black. End credits. Have Clementine's theme 'alive inside' from the game play in the final credits for the final episode of that arc.
The engineer would be a good idea. I think the more obscure and less explored the character, the more important it is to tell their story. So to me the most important one to me would be the Engineer and Lee's wife. The main comic and game characters being focused I just find to be less interesting as they have already been explored pretty thoroughly. Telltale may want to explore Lee's wife's fate in their game though, so that might not be possible (but if they have no such plans, a series like this would be the perfect place for her character).
I thought that Bonnie was just getting counselling from Leland when shit hit the fan (Bonnie had an addiction and Leland was her councilor).
Lee's trial by itself doesn't seem to be a good idea. Although I would like Lee's trial to feature in someone else's story for example, like Carley's crew covering the trial in Carley's arc, and an arc about another character or set of characters who went to Lee's trial, such as a judge or the police officer pair who were the first responders to Lee's murder.
In addition:
How Leland and Dee found Bonnie
Lee's trial?
What happened to Lee's wife
Glenn making his way from the Motor Inn to t… morehe Atlanta Camp
When Hershel started to collect Walkers(Maybe shortly after Lee and the rest left?)
Something really small, but still interesting to me, how the train from Episode 3 crashed? The Engineer for example, what happened to him?
The way I think about it, the premises for episodes should be less about events that happen to characters (So I wouldn't premise Ed's and Diana's as 'How Ed and Diana died'), and more about showing snippets of those characters actual lives and how the apocalypse affected them (EG Ed and Diana's last days in Savannah).
Sorry, I'm not sure if that makes any sense, but I'll just leave it as that for now.
In addition:
How Leland and Dee found Bonnie
Lee's trial?
What happened to Lee's wife
Glenn making his way from the Motor Inn to t… morehe Atlanta Camp
When Hershel started to collect Walkers(Maybe shortly after Lee and the rest left?)
Something really small, but still interesting to me, how the train from Episode 3 crashed? The Engineer for example, what happened to him?
I'd love to see a Nate episode with Eddie and Wyatt - Why were they with Nate, who did Eddie kill and why did he panic etc.
Edit: Just realized it's already on there! Oh well. Backing that idea up!
What happened to Vernon?
He's dead. In 400 Days, Joyce says: "We lost Brie and Vernon because we trusted the strangers!"(I'm not sure … morethis is exactly what she said). Note that she mentions Brie and Vernon were "lost", and we all know Brie's fate. I'm assuming Vernon is dead not just because this is his likely fate, it's also because I hate his hairy wrinkly ass.
Not sure if it was obvious but I did mean those comments as compliments. Those are good ideas that just need to be explored in different ways in my opinion. So another one would be for Glenn to meet a different character before he made it to Carleys group, like the cops that arrested Lee in their story, and that's how he definitely knew about Lee's past. By the end of the episode, they would be separated by circumstance from the major character of the different work or the two groups would separate for their own reasons. Or as a shock the non 'Glenn or Herchel' characters die horribly even thought they are the main characters of their story, and a scared Glenn makes his escape as the episode ends.
(I am aware Telltale implies that he knows because of the fact that he delivered pizzas to the Everett's, I just meant that as an example of how you would tie in the major characters of different works, by having them show up only briefly).
In addition:
How Leland and Dee found Bonnie
Lee's trial?
What happened to Lee's wife
Glenn making his way from the Motor Inn to t… morehe Atlanta Camp
When Hershel started to collect Walkers(Maybe shortly after Lee and the rest left?)
Something really small, but still interesting to me, how the train from Episode 3 crashed? The Engineer for example, what happened to him?
This is a good idea. If you had one of the three 20 minute slots dedicated to a single continuous running story (I suppose you would just call it 'The Roaming Group' or 'Molly's group', a constantly changing entity due to people joining, traveling, leaving and dying), with people from the other stories coming and going from it, you could actually have a running story starting when Molly join's Crawford, and continuing after that arc with Molly moving out of Savannah (since she has scavenged it clean, she has gotten her photo of her sister back, and now Savannah it is full of train walkers), and starting or joining a group of her own. Molly has enough charisma and ability to lead a group or at least act as an inspirational enforcer of the group. (Like TV Daryl or Comic Tyrese).
It would certainly add massive amount of weight to dangerous situations and character deaths, as the audience would already know most of the characters well due each of the characters having their own episode.
One example of a short story combining into Molly's 'Main' story: someone else from Crawford might have made it out, which causes a lot of conflict with Molly. Bonus Tension points: he's one of the two guards who dragged Molly's sister away to be shot. He came to the awful realization of what he was becoming after he let the other guard kill her, and seeing that escape was possible after Molly's escape, left Crawford shortly after Molly did.
Alternate bonus points: he actually shot the other guard and escaped with Molly's sister. However this is less likely an idea for a pretty major reason:
It would be hard to justify how Molly was so certain of her sister's death if a guard patrol went missing on the same day. I know I would be suspicious.
EDIT: Then again, Oberson is the kind of guy who would keep that information to himself (Guards going missing and executee escapes) to minimize panic and to maintain his image as the infallible leader for as long as possible.
I'd still have to replay episode 4 thoroughly and scour the wiki before I could confidently suggest Molly's sister's survival as a plausible idea.
This is a good idea. If you had one of the three 20 minute slots dedicated to a single continuous running story (I suppose you would just call… more it 'The Roaming Group' or 'Molly's group', a constantly changing entity due to people joining, traveling, leaving and dying), with people from the other stories coming and going from it, you could actually have a running story starting when Molly join's Crawford, and continuing after that arc with Molly moving out of Savannah (since she has scavenged it clean, she has gotten her photo of her sister back, and now Savannah it is full of train walkers), and starting or joining a group of her own. Molly has enough charisma and ability to lead a group or at least act as an inspirational enforcer of the group. (Like TV Daryl or Comic Tyrese).
It would certainly add massive amount of weight to dangerous situations and character deaths, as the audience would already know most of the characters well due each of … [view original content]
I thought that Leland and Dee found Bonnie after the Turn, because at on point, I'm pretty sure Leland says something along the lines of "When we found you you were still pretty hooked on that stuff".
And maybe when exploring a character like Lee's wife, we'd get a few flashbacks to the trial?
The engineer would be a good idea. I think the more obscure and less explored the character, the more important it is to tell their story. So … moreto me the most important one to me would be the Engineer and Lee's wife. The main comic and game characters being focused I just find to be less interesting as they have already been explored pretty thoroughly. Telltale may want to explore Lee's wife's fate in their game though, so that might not be possible (but if they have no such plans, a series like this would be the perfect place for her character).
I thought that Bonnie was just getting counselling from Leland when shit hit the fan (Bonnie had an addiction and Leland was her councilor).
Lee's trial by itself doesn't seem to be a good idea. Although I would like Lee's trial to feature in someone else's story for example, like Carley's crew covering the trial in Carley's arc, and an arc about another character or set of characters who went to Lee… [view original content]
I thought that Leland and Dee found Bonnie after the Turn, because at on point, I'm pretty sure Leland says something along the lines of "When… more we found you you were still pretty hooked on that stuff".
And maybe when exploring a character like Lee's wife, we'd get a few flashbacks to the trial?
I think she MAY have had a chance of escaping, and if she did, well, I'm interested in her character, as she was the one who basically brought Crawford down, indirectly, but still.
Pretty sure Molly's sister is dead, or Molly would have taken her with her. I can't see Molly giving up on her sister if she thought she might be alive or was not entirely sure that she was dead.
Alternate bonus points: he actually shot the other guard and escaped with Molly's sister. However this is less likely an idea for a pretty maj… moreor reason:
It would be hard to justify how Molly was so certain of her sister's death if a guard patrol went missing on the same day. I know I would be suspicious.
EDIT: Then again, Oberson is the kind of guy who would keep that information to himself (Guards going missing and executee escapes) to minimize panic and to maintain his image as the infallible leader for as long as possible.
I'd still have to replay episode 4 thoroughly and scour the wiki before I could confidently suggest Molly's sister's survival as a plausible idea.
Oh! That's pretty interesting too. But honestly, I imagine they were there for drugs in the first place and Nate was doing his whole Nate routine so Eddie panicked. That's a pretty cool idea though, a nice twist on things.
...Also, this made me think of how much better Tony Moore's art is to Charlie Adlard's. No offense to Adlard, but I honestly think that the comics would be better if Moore had stayed on as the artist. The work he did on the first book was amazing.
Actually, while we are on the topic of intro's, something looking like this could be appropriate (though not centered around Rick obviously).
What do you guys think?
I know, I didn't think you were serious. I just wanted to show the guy trying to legitimately be charming , because it's hilarious. I can't find the page, so long story short, he calls a girl fat, she crys, to apologize, he said he'd like to fuck her brains out.
It's meant to be a joke, I was comparing him to Larry.
EDIT: Because he looks so charming in the picture I was commenting on, I must have been serious. Err. /sarcasmfont I guess for clarity.
I know, I didn't think you were serious. I just wanted to show the guy trying to legitimately be charming , because it's hilarious. I can't fi… morend the page, so long story short, he calls a girl fat, she crys, to apologize, he said he'd like to fuck her brains out.
Can you perhaps explain WHY you think Adlard's art is better?
I think Tony moore's art was much better because there was a lot more detail into his work, as opposed to the background being mostly blank for the first few books that Adlard did. Tony Moore was also better with Gray Scale, although I suppose that's more comparing him to Cliff Rathburn than Adlard. I also liked the design behind a lot of the characters better, with the exception of Lori. My biggest thing against Adlard's artwork is how he designs the characters. Mainly Carl... Up until some of the most recent books, Carl was drawn(or at least designed) horribly.
I also just really don't like the blank white, again, more Rathburn's fault than Adlard's, but I can't stand it, and the lack of background in many of the books just makes it look worse.
that was my theory any ways. idk if you were on the forums last year but people theorized that Terry st.john was the stranger. Im honestly surprised as much as people loved to bring him up nobody has said he was who clem was talking about with the "I thought you were dead."
Nah, wasn't here last year. i only joined a day before S2 was released XD. But anyways, Being Terry St. John the one who Clem thought was dead would be just absurd. It was implied clearly in S1Ep2 that Terry St. John was "gone" or most likely "dead".
that was my theory any ways. idk if you were on the forums last year but people theorized that Terry st.john was the stranger. Im honestly su… morerprised as much as people loved to bring him up nobody has said he was who clem was talking about with the "I thought you were dead."
I get gritty, though he doesn't draw blood as well in my opinion, but yeah, it's definitely more gritty.
I don't think it shows more emotion though. He seems to mess up drawing faces... Quite a lot actually. I think Moore's got Adlard beaten on the "more emotion" front. In fact, if you want an example, look at the "We ARE the Walking Dead" speech, and look at Ben and Billy's faces. Also, he seems to draw Abraham's face incredibly odd a lot.
I might understand more emotion of the walkers, but only in the most recent books. Earlier on, I still think that Moore's walkers had more emotion. And I still think they're better because they've got a hell of a lot more detail.
The one thing that I really liked that Moore did in the first book was even how he designed the panels on the pages. Some were crooked, or overlapped a larger scene, or a larger panels would overlap smaller panels a bit, etc. It seemed to have a lot of thought put into it.
Larger scene's also had much more detail, comparing any large scene in the prison to the one scene at night in the Atlanta Camp in the first book(Rick is talking to Shane at night, it shows the whole camp)... I've got to pick that one large scene that Moore did over any that Adlard did in the prison, or even past then for a couple books.
Not that I don't like Adlard's style as well, I just don't like his actual work more than Moore's most of the time. In fact, I do find the art in All Out War a little better than the norm, but I think that's because of Stefano Gaudino's fantastic ink work.
Actually, while we are on the topic of intro's, something looking like this could be appropriate (though not centered around Rick obviously).
What do you guys think?
Have you read some of these absurd theories? I figured he's more than likely dead, just surprised nobodies decided on giving him his own discussion yet, given how many people try to come up with the most random person lol.
on another note im also surprised you haven't changed your profile pic to mega gengar. That was honestly my first thought when I noticed you changed your profile pic haha
Nah, wasn't here last year. i only joined a day before S2 was released XD. But anyways, Being Terry St. John the one who Clem thought was dead would be just absurd. It was implied clearly in S1Ep2 that Terry St. John was "gone" or most likely "dead".
Lol otherwise my user name would be Mega Gengar then XD. Its a shame I can't change my username. And yes, I've already seen a lot of crazy ass theories like Clem's parents were actually alive and they have to kill Lee, Lee had a twin, Christa was gonna be the PC at S2, The St. John brothers being the one who Clem thought was dead and all that crap.
Have you read some of these absurd theories? I figured he's more than likely dead, just surprised nobodies decided on giving him his own disc… moreussion yet, given how many people try to come up with the most random person lol.
on another note im also surprised you haven't changed your profile pic to mega gengar. That was honestly my first thought when I noticed you changed your profile pic haha
Comments
I'd still like to point out that The Walking dead TV Show has improved recently in great leaps as new writers(Scott M. Gimple as showrunner) have joined the project. AMC screwed over Frank Darabont, this is true, but the new writers have been fixing a lot of the problems of the first two Seasons(and some of the ones in Season 3), and recently, have been going even above the comics at times. Examples: Live Bait, Dead Weight, Too Far Gone, After, etc.
Those situations and characters were done much better in the Show then in the Comics. Rick and The governor are much better characters, Carl's "I'd be fine if you died" scene was much better(though the character still has a way to go), Michonne's backstory was presented in a much more artistic and interesting way, etc, etc.
Crushed with a Salt lick
In addition:
How Leland and Dee found Bonnie
Lee's trial?
What happened to Lee's wife
Glenn making his way from the Motor Inn to the Atlanta Camp
When Hershel started to collect Walkers(Maybe shortly after Lee and the rest left?)
Something really small, but still interesting to me, how the train from Episode 3 crashed? The Engineer for example, what happened to him?
Comic Governor had WAY less character development. He was basically a psychopath with no explanation for the things he did. He was not conflicted, there were no two sides to what he did. He was just flat out evil, and though he was interesting, I liked how by S4 in the TV Show, you may have even been rooting for him. Almost no one had any idea if he was going to... do what he did, or actually let bygones be bygones. Incredibly well acted/ written, and a very interesting villain, much more so than the Comic Governor. We share no common ground on that issue I'm sorry to say, I don't really believe that the Comic Governor is better than the TV Governor in anyway, other than he was more brutal. And even then, I think it was more interesting with the TV Governor that he was more subtle with his cruelty in S3, and outright fought his monstrous nature in S4.
Tv Rick vs. Comic Rick, yeah, they're very close. I personally think that TV Rick is marginally better because I think he's got some better dialogue, with the exception of the "We ARE the Walking Dead" Speech(Though, the "Too Far Gone" Speech was pretty close...), and also I think having such a great actor adds to it. I will agree that simply because we see more of Comic Rick so far, and can completely understand why a lot of people would say that he's better, but just taking the Comic rick from the Prison... I'm pretty split on the issue, but I think Andrew Lincoln's portrayal of Rick wins out in the end. With that however, it's totally done to my personal preference at that point.
Maybe. My guess is that someone got hurt and they figured "Waste not want not" or something...Or maybe that hurt individual gave them the idea him/herself... In the comics, Rick's group runs into cannibals so maybe it might not have been an intentional idea, but the person was fleeing from that type of situation.
I've got all but the last, and I'm not counting them. They are meant to fix the Governor's character, and they wouldn't need to exist if there weren't problems with his character in the first place.
I love the novels, they're fantastic, but still, we got good backstory with the Governor/Brian in the first... and then he became a totally unconflicted psychopath except for a few moments in the second book. The second and third books, are just once more to show the Governor's brutality, and it's incredibly easy to forget that Brian ever existed, unlike TV Governor, where you still see glimpses of Phillip throughout, not just one or two very far apart scenes in one story arc.
I understand that it brings them closer, but they really shouldn't be counted as most people won't go out of their way to read them, and so will only know the Comic Governor, and even if you do count them, David Morrisey's Governor is still better in my own opinion.
Good to know that someone else reads those and didn't just accuse Kirkman of being a sellout, as the majority of people seem to do.
I know, I've preordered it.
And I can't wait to see what Negan's back story is! He is possibly one of the best villains EVER. Or at least, the most entertaining.
I'd love to see a Nate episode with Eddie and Wyatt - Why were they with Nate, who did Eddie kill and why did he panic etc.
Edit: Just realized it's already on there! Oh well. Backing that idea up!
Could be...maybe they followed the McDonald's/KFC quote: "If you loved our fried chicken, then it didn't die in vain!"
I'd like to see what happens with Molly AFTER she leaves Lee's group.
If it couldn't be animated, this could be a motion comic. It reminds me of those Dead Space motion comics set just before the game. You even hear one or more of the audio logs by the comic main character Abe, in the game itself playing as Isaac. Fun things like this are good for games and Telltale could make this one of the best
There are lots that do
The engineer would be a good idea. I think the more obscure and less explored the character, the more important it is to tell their story. So to me the most important one to me would be the Engineer and Lee's wife. The main comic and game characters being focused I just find to be less interesting as they have already been explored pretty thoroughly. Telltale may want to explore Lee's wife's fate in their game though, so that might not be possible (but if they have no such plans, a series like this would be the perfect place for her character).
I thought that Bonnie was just getting counselling from Leland when shit hit the fan (Bonnie had an addiction and Leland was her councilor).
Lee's trial by itself doesn't seem to be a good idea. Although I would like Lee's trial to feature in someone else's story for example, like Carley's crew covering the trial in Carley's arc, and an arc about another character or set of characters who went to Lee's trial, such as a judge or the police officer pair who were the first responders to Lee's murder.
The way I think about it, the premises for episodes should be less about events that happen to characters (So I wouldn't premise Ed's and Diana's as 'How Ed and Diana died'), and more about showing snippets of those characters actual lives and how the apocalypse affected them (EG Ed and Diana's last days in Savannah).
Sorry, I'm not sure if that makes any sense, but I'll just leave it as that for now.
Though it would be from Nate and his friends perspective only, so Eddie and Wyatt would look like the villains of that episode.
Also, if Vernon is still alive, his fate would Certainly be explored at some point in Clem's story, so an animated short on it would be redundant.
Not sure if it was obvious but I did mean those comments as compliments. Those are good ideas that just need to be explored in different ways in my opinion. So another one would be for Glenn to meet a different character before he made it to Carleys group, like the cops that arrested Lee in their story, and that's how he definitely knew about Lee's past. By the end of the episode, they would be separated by circumstance from the major character of the different work or the two groups would separate for their own reasons. Or as a shock the non 'Glenn or Herchel' characters die horribly even thought they are the main characters of their story, and a scared Glenn makes his escape as the episode ends.
(I am aware Telltale implies that he knows because of the fact that he delivered pizzas to the Everett's, I just meant that as an example of how you would tie in the major characters of different works, by having them show up only briefly).
This is a good idea. If you had one of the three 20 minute slots dedicated to a single continuous running story (I suppose you would just call it 'The Roaming Group' or 'Molly's group', a constantly changing entity due to people joining, traveling, leaving and dying), with people from the other stories coming and going from it, you could actually have a running story starting when Molly join's Crawford, and continuing after that arc with Molly moving out of Savannah (since she has scavenged it clean, she has gotten her photo of her sister back, and now Savannah it is full of train walkers), and starting or joining a group of her own. Molly has enough charisma and ability to lead a group or at least act as an inspirational enforcer of the group. (Like TV Daryl or Comic Tyrese).
It would certainly add massive amount of weight to dangerous situations and character deaths, as the audience would already know most of the characters well due each of the characters having their own episode.
One example of a short story combining into Molly's 'Main' story: someone else from Crawford might have made it out, which causes a lot of conflict with Molly. Bonus Tension points: he's one of the two guards who dragged Molly's sister away to be shot. He came to the awful realization of what he was becoming after he let the other guard kill her, and seeing that escape was possible after Molly's escape, left Crawford shortly after Molly did.
Alternate bonus points: he actually shot the other guard and escaped with Molly's sister. However this is less likely an idea for a pretty major reason:
It would be hard to justify how Molly was so certain of her sister's death if a guard patrol went missing on the same day. I know I would be suspicious.
EDIT: Then again, Oberson is the kind of guy who would keep that information to himself (Guards going missing and executee escapes) to minimize panic and to maintain his image as the infallible leader for as long as possible.
I'd still have to replay episode 4 thoroughly and scour the wiki before I could confidently suggest Molly's sister's survival as a plausible idea.
You have to admit, despite all his evilness, Negan's got charm comin' out of his ass.
I thought that Leland and Dee found Bonnie after the Turn, because at on point, I'm pretty sure Leland says something along the lines of "When we found you you were still pretty hooked on that stuff".
And maybe when exploring a character like Lee's wife, we'd get a few flashbacks to the trial?
I've got to find that page where he asks to fuck a girls brains out. Because that's the extent of the guys "charm".
It's meant to be a joke, I was comparing him to Larry.
EDIT: Because he looks so charming in the picture I was commenting on, I must have been serious. Err. /sarcasmfont I guess for clarity.
Your point about Dee and Leland makes sense.
With Lee's wife, that is another good way of doing it.
Actually, while we are on the topic of intro's, something looking like this could be appropriate (though not centered around Rick obviously).
What do you guys think?
She may have known how Vernon got out (the manhole sewers) and had a plan to shoot her way to there.
So you are right, it is possible (but unlikely) that she is still alive.
Pretty sure Molly's sister is dead, or Molly would have taken her with her. I can't see Molly giving up on her sister if she thought she might be alive or was not entirely sure that she was dead.
Oh! That's pretty interesting too. But honestly, I imagine they were there for drugs in the first place and Nate was doing his whole Nate routine so Eddie panicked. That's a pretty cool idea though, a nice twist on things.
Wow, that was awesome!
...Also, this made me think of how much better Tony Moore's art is to Charlie Adlard's. No offense to Adlard, but I honestly think that the comics would be better if Moore had stayed on as the artist. The work he did on the first book was amazing.
I know, I didn't think you were serious. I just wanted to show the guy trying to legitimately be charming , because it's hilarious. I can't find the page, so long story short, he calls a girl fat, she crys, to apologize, he said he'd like to fuck her brains out.
That's actually pretty funny.
Can you perhaps explain WHY you think Adlard's art is better?
I think Tony moore's art was much better because there was a lot more detail into his work, as opposed to the background being mostly blank for the first few books that Adlard did. Tony Moore was also better with Gray Scale, although I suppose that's more comparing him to Cliff Rathburn than Adlard. I also liked the design behind a lot of the characters better, with the exception of Lori. My biggest thing against Adlard's artwork is how he designs the characters. Mainly Carl... Up until some of the most recent books, Carl was drawn(or at least designed) horribly.
I also just really don't like the blank white, again, more Rathburn's fault than Adlard's, but I can't stand it, and the lack of background in many of the books just makes it look worse.
Maybe the reason Terry ST.John isn't around any more is because he was cannibal victim #1
Maybe, probably he was dying so they had to eat him...
that was my theory any ways. idk if you were on the forums last year but people theorized that Terry st.john was the stranger. Im honestly surprised as much as people loved to bring him up nobody has said he was who clem was talking about with the "I thought you were dead."
Nah, wasn't here last year. i only joined a day before S2 was released XD. But anyways, Being Terry St. John the one who Clem thought was dead would be just absurd. It was implied clearly in S1Ep2 that Terry St. John was "gone" or most likely "dead".
I get gritty, though he doesn't draw blood as well in my opinion, but yeah, it's definitely more gritty.
I don't think it shows more emotion though. He seems to mess up drawing faces... Quite a lot actually. I think Moore's got Adlard beaten on the "more emotion" front. In fact, if you want an example, look at the "We ARE the Walking Dead" speech, and look at Ben and Billy's faces. Also, he seems to draw Abraham's face incredibly odd a lot.
I might understand more emotion of the walkers, but only in the most recent books. Earlier on, I still think that Moore's walkers had more emotion. And I still think they're better because they've got a hell of a lot more detail.
The one thing that I really liked that Moore did in the first book was even how he designed the panels on the pages. Some were crooked, or overlapped a larger scene, or a larger panels would overlap smaller panels a bit, etc. It seemed to have a lot of thought put into it.
Larger scene's also had much more detail, comparing any large scene in the prison to the one scene at night in the Atlanta Camp in the first book(Rick is talking to Shane at night, it shows the whole camp)... I've got to pick that one large scene that Moore did over any that Adlard did in the prison, or even past then for a couple books.
Not that I don't like Adlard's style as well, I just don't like his actual work more than Moore's most of the time. In fact, I do find the art in All Out War a little better than the norm, but I think that's because of Stefano Gaudino's fantastic ink work.
I just noticed that the "The Walking Dead" Is from Telltale's and not the comics or the TV Show. Which is odd.
Have you read some of these absurd theories? I figured he's more than likely dead, just surprised nobodies decided on giving him his own discussion yet, given how many people try to come up with the most random person lol.
on another note im also surprised you haven't changed your profile pic to mega gengar. That was honestly my first thought when I noticed you changed your profile pic haha
Lol otherwise my user name would be Mega Gengar then XD. Its a shame I can't change my username. And yes, I've already seen a lot of crazy ass theories like Clem's parents were actually alive and they have to kill Lee, Lee had a twin, Christa was gonna be the PC at S2, The St. John brothers being the one who Clem thought was dead and all that crap.