Entertainment and Horror
I just going to throw this out here, but as much as I love playing The Walking Dead, I think there is a fundamental limitation in regards to true horror. Part of this is from my interest in "Body Horror" genre (most iconically David Cronenberg) but basically, traditional horror has a limitation in the extent to which it deals with a danger extant outside of the body and psyche.
While zombies, and more importantly the post-apocalypstic insanity into which the main characters are thrust, gives the opportunity to address humanity in face of disaster, the ultimate fear exists outside the self (whether represented by the inhuman zombies or the rival 'other')
I wanted both to share this and to see what people thought, but It thought the far more compelling horror is the self against the self... Horror manifested as desire, or (again referring to Cronenberg) contamination or loss of self control... Anyway, here's my clip so... go discuss (btw, spoiler for Ingmar Bergman's 'Hour of the Wolf.' It's in my opinion one of the best films ever made, and this is among the last scenes...) Anyway, those unafraid of spoilers, watch ahead:
/watch?v=kE5vJKSeX5o
While zombies, and more importantly the post-apocalypstic insanity into which the main characters are thrust, gives the opportunity to address humanity in face of disaster, the ultimate fear exists outside the self (whether represented by the inhuman zombies or the rival 'other')
I wanted both to share this and to see what people thought, but It thought the far more compelling horror is the self against the self... Horror manifested as desire, or (again referring to Cronenberg) contamination or loss of self control... Anyway, here's my clip so... go discuss (btw, spoiler for Ingmar Bergman's 'Hour of the Wolf.' It's in my opinion one of the best films ever made, and this is among the last scenes...) Anyway, those unafraid of spoilers, watch ahead:
/watch?v=kE5vJKSeX5o
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In a movie like David Cronenberg's 'The Fly' the fear is the transformation of the body itself, and in the case of Bergman mentioned above, it's the physical manifestation of personal desires. Another example is John Carpenter's 'The Thing,' in which the true fear is corruption of the body.
I compare with David Cronenberg's 'Scanners'
/watch?v=QD1NeuADd-s
Or 'The Fly' - I can't find a good clip, but it's a remake of the 1950's movie where the protagonist tries a teleportation experiment, but a fly gets in so the scientist has his DNA splice with that of a fly - in Cronenberg's version basically he comes more and more of a fly (1950's one starts out as the wife killing her husband and going back to explain the horrible experiment, the semenal moment being when the detective discovers a fly captured in a spider web with a human head and a human arm screaming 'help me, help me.'
End of 1950's: /watch?v=NzTGSKNjrp4
Basically, the 1980's version shifts on the transformation while the 1950's is the aftermath (oversimplified but la)
Or 'John Carpenter's 'The Thing'
/watch?v=hqVbOSEsJNo
Sorry, had to say it. I know it's not bullshit, but it confuses the fuck out of me.