I want a sultry, cabaret singer, in a 40's inspired supper club, to sing an haunting, yet hilarious torch song to Sam while Max attacks the bouncer, who's trying to throw them out, in the background. I'd also like for the singer to be Jurgen dressed as Marlene Dietrich, but I'm willing to be flexible about that.
I'm not sure if the Ted E Bear and Useful to Boot songs count, not because they aren't musical numbers cause they are, and good ones at that, but because to hear them full you had to keep clicking, which means you could actually not hear them at all.
The War Song and the Mariachi song was part of the plot though and so had to be heard.
I was expecting a musical number where a mock bit of the Chordettes tell Max that he is now more powerful than the Force, in a hilarious but catchy musical theme that lasts 3 minutes.
Beyond the Valley of the Dolls is a 1970 American schlock melodrama film starring Dolly Read, Cynthia Myers, Erica Gavin, Edy Williams, Marcia McBroom, John LaZar, and Michael Blodgett. Directed by Russ Meyer and co-written by Meyer and Roger Ebert, the film is considered a cult classic.
I'm not sure if the Ted E Bear and Useful to Boot songs count, not because they aren't musical numbers cause they are, and good ones at that, but because to hear them full you had to keep clicking, which means you could actually not hear them at all.
The War Song and the Mariachi song was part of the plot though and so had to be heard.
Both Bear and Boot could be heard in the end credits of these episodes - no clicking necessary. So, I'd say, they count as songs. Nonetheless, you might well argue, these songs did not have a proper "music video".
The theatrical genre of melodrama uses theme-music to manipulate the spectator's emotional response and to denote character types. The term combines "melody" (from the Greek "melōidía", meaning "song") and "drama" (Classical Greek: δράμα, dráma; meaning "action").
I only cared to read the first sentence, though. Yes, I know, it's not necessarily big musical number scene-related, but it at least suggests some musical elements. Also, the title of 304 is a reference to a movie about a rock band.
"They Stole Max's Brain!" June 2010
Notes:
Designed by Joe Pinney
Written by Michael Stemmle
"Beyond the Alley of the Dolls" July 2010
Notes:
Designed by Michael Stemmle
Written by Joe Pinney
Mike is lead writer for both 303 and 304.
And wherever that list came from (I'm guessing a wiki?) it'd be good to list directors, since that's a bigger title in this series than it has been in the past. 301: Me and Nick Herman, 302: Andy Hartzell, 303: Joe Pinney, 304: Dennis Lenart, 305: Derek Sakai.
And wherever that list came from (I'm guessing a wiki?) it'd be good to list directors, since that's a bigger title in this series than it has been in the past. 301: Me and Nick Herman, 302: Andy Hartzell, 303: Joe Pinney, 304: Dennis Lenart, 305: Derek Sakai.
Comments
Not really, it's played from a disc, so it's not really a number like the War Song or the Mariachi Song.
Yeah, a Sam clone army singing would be fun!
*imagines it in her mind*
I-It's beautiful.
I second that
Now I want this...
And useful to boot does also count. I love the songs from the first season.:)
Realy I heard it was 303.
Yes please.
I wonder if the Real Sam will join in...
The War Song and the Mariachi song was part of the plot though and so had to be heard.
The Molemen have already done such things. And the song is only good if you're shoving glass through a blender and then grinding it at top speed.
Both Bear and Boot could be heard in the end credits of these episodes - no clicking necessary. So, I'd say, they count as songs. Nonetheless, you might well argue, these songs did not have a proper "music video".
melodrama is not nessecarily music. you should WIKIPEDIA melodrama.
I only cared to read the first sentence, though. Yes, I know, it's not necessarily big musical number scene-related, but it at least suggests some musical elements. Also, the title of 304 is a reference to a movie about a rock band.
You know the one: perhaps Fritallian.
EpisodesEpisode Release date
"The Penal Zone" April 2, 2010 / April 15, 2010
Notes:
Designed and written by Chuck Jordan
"The Tomb of Sammun-Muk" May 2010
Notes:
Designed and written by Andy Hartzell and Brendan Q. Ferguson
"They Stole Max's Brain!" June 2010
Notes:
Designed by Joe Pinney
Written by Michael Stemmle
"Beyond the Alley of the Dolls" July 2010
Notes:
Designed by Michael Stemmle
Written by Joe Pinney
"The City that Dares Not Sleep" TBD
Notes:
Designed and written by Chuck Jordan
And wherever that list came from (I'm guessing a wiki?) it'd be good to list directors, since that's a bigger title in this series than it has been in the past. 301: Me and Nick Herman, 302: Andy Hartzell, 303: Joe Pinney, 304: Dennis Lenart, 305: Derek Sakai.
Make it happen, TellTale. Make it happen NOW! THE INTERNETS DEMANDS IT!!!
Done and done.